CREDITS
Artistic Team
Michael John Garcés, Director
Mark Valdez, Playwright
Page Leong, Choreographer
Carlos Melgar, Composer
Lynn Jeffries, Production Designer
John Nobori, Sound Designer
Jared Mezzocchi, Creative Director for Virtual Performance
Nikki Hyde, Production Stage Manager
And featuring the talents of: Adrianne Alvarez-Jackson, Karla Antone, Rebecca Bermudez, Kendell Byrd, Sevan Cash, Jayleen Chavarria, Alejandro Chavez, Dolores Chavez, Naomi E. Cornejo, Rose G. Donahue, Marita De La Torre, Gina DeLuca, Adam Flores, Alejandra Flores, Cecille Forsyth Rios, Simran Fulton, Zachary Goldsmith, Peter Howard, Abby Howell, Sarah Kozinn, Afreen Mann Majumdar, Beret Malmgren, Ebony McConico-Garcia, Michael Mejia, Jenna Morris, Daniela Naranjo, Ana Isabel Narvaez, Irene Narvaez, Elisa O’Malley, Hoyeon Park, Kenny Ramos, Gabriel Rodriguez, Autumn Scott, Elinor Taylor, Richard Tom, Isabella Vidal, Ralph Waxman, Jona Yadidi
LEAD ARTIST BIOS
MARK VALDEZ (Playwright)
Mark Valdez is a director, writer, and producer based in Los Angeles. Directing credits include world premiere productions by Erik Ehn, Jose Cruz Gonzalez, Peter Howard, Tom Jacobson, Will MacAdams, Tracey Scott Wilson, and others. Currently Mark is working with 15 Latino artists of various disciplines to create DJ Latinidad's Latino Dance Party, a performance that explores latinidad in contemporary U.S. culture, through the lens of a dance party. Most recently, Valdez was the Executive Director of the Network of Ensemble Theaters (NET), a national community of artists and arts organizations dedicated to collaborative creation. Mark has led workshops and participated in numerous panels. He is the recipient of a Princess Grace Award for Directing and for Special Projects, a MAP grant, and a NALAC Artist Grant.
MICHAEL JOHN GARCÉS (Director)
Michael has been a Cornerstone ensemble member since 2006. Directing credits at the company include Native Nation (presented by ASU Gammage) and Urban Rez by Larissa FastHorse; California: The Tempest by Alison Carey; Plumas Negras by Juliette Carrillo; Café Vida by Lisa Loomer; Making Paradise by Tom Jacobson, Shishir Kurup and Deborah Wicks La Puma; and What Happens Next by Naomi Iizuka (a La Jolla Playhouse "Without Walls" production in association with Cornerstone). Plays he has written for Cornerstone include Magic Fruit; Los Illegals; and The Forked Path, a collaboration with the Van der Hoeven Kliniek and Stut Theatre in the Netherlands. Other recent directing credits include the just and the blind, by Marc Bamuthi Joseph and composer Daniel Bernard Roumain (Carnegie Hall), Seize the King by Will Power (The Alliance); Larissa FastHorse's The Thanksgiving Play (The Geffen Playhouse); The Royale by Marco Ramirez (Arizona Theatre Company); Epic by Ellen Struve (The Great Plains Theatre Commons); and Wrestling Jerusalem by Aaron Davidman (Intersection for the Arts, The Guthrie Theatre and Cleveland Public Theatre). Michael is a recipient of the 2020 Doris Duke Artist Award, the Princess Grace Statue, and the Alan Schneider Director Award. He serves as first vice president of the executive board of SDC, the theatrical union for stage directors and choreographers.
FUNDING CREDITS
Highland Park Is Here is made possible in part by grants from the Annenberg Foundation; the California Arts Council, a state agency; Capital Group; the James Irvine Foundation; Los Angeles County Board of Supervisors through the Los Angeles County Department of Arts and Culture; Los Angeles Department of Cultural Affairs; the Andrew W. Mellon Foundation; the National Endowment for the Arts; the Shubert Foundation; the Edgerton Program in Theater at Occidental College; the Kathryn Caine Wanlass Charitable Foundation; and US Bank.
ABOUT CORNERSTONE THEATER COMPANY
Cornerstone Theater Company has been making new plays with and about communities throughout Los Angeles and beyond since 1986. Nationally recognized as a leader in community-engaged theater, our plays celebrate many voices as we strive to include people new to theater experiences as artists and/or audience. Combining the artistry of people with many levels of theatrical experience, we act upon the conviction that artistic expression is civic engagement and that access to a creative forum is essential to the wellness and health of every individual and community. Our plays are staged in theaters, parking lots, factories, schools and subway stations. Each venue is specific to its project and community; audiences pay what they can so our performances are always accessible to all. Visit Cornerstonetheater.org and follow the story on social media @cornerstonetheater on Facebook and Instagram, @cornerstonethtr on Twitter and youtube.com/CornerstoneTheater.