POETS PLACE
AUGUST EDITION 2024
Hello fellow poetry and writer enthusiasts!!! It is August and the Olympics are in full swing in Paris! The opening ceremonies were spectacular and shined a light on the world. Let us enjoy these amazing athletes and bask in their glory for just a moment. Dissolve into the bliss of greatness before our eyes. We can and hopefully we will, some day be blissful. My heart races almost everyday now with the constant threats to our democracy. I cannot fathom that in our country, there are those who would wish ill to women, immigrants, people of color, and anyone who has a different faith or belief in their choice of worship. I am continually trying to stay away from the political arena to avoid listening to the lies that are spewing out of the mouths of many. They are not the majority and I hope the majority can still rule. Cross our fingers.
This month hosts poetry and prose from many of you. I feel blessed that I can host anyone who wants a voice to share to our readers. AND for those of you who read until the end, I have inserted this month in my bio my recent film 20 Years Left! A short documentary that achieved an Honorable Mention at the Highland Park Independent Film festival!!!
Thank you all so much!!! Enjoy!!
Love, Linda :0)
The greatest secret on earth
By Linda Kaye
Is the one never told
hidden beneath it’s crusty heart squelched suppressed collecting dust
driven mad by years of neglect left to dwindle and turn into lies
It’s a cover-up for diplomacy protecting the world from annihilation
Once it’s out of the bag relationships implode
Secret truth missiles are shot into the hearts and minds of others causing an instant impact of death of their denials
Forever undone by the greatest secret on earth
your open heart
by jerry the priest
is not an achievement
for which you could expect
to receive validation, because
your open heart
is not about you
neither is it
an objective
to be pursued,
as if you'd ever profit
by chasing what is
already yours
your open heart
is an option, nothing more
it is no less sacred
than your own breath,
and no less constantly
flowing
it is not for acquiring
but for igniting
for sharing
not for hiding
love is not a riddle
It cannot trip you up
or rip you up, or open
or off
love is too little seen
and too often spoken
all you need do to
coax it into the open…
IS RELAX!
What has 6 vowels, 7
consonants, and comes
with a lovely guarantee?
y o u r
o p e n
h e a r t
jerry the priest, legal name Jerome Dunn, has been creating material for exhibition, publication and live presentation since 1979, when he studied experimental music at the University of Redlands. A vocal performer since early childhood, his formal study of music began with his first trombone lesson in 1967.
Essays, poems, stories and illustrations have appeared in Coagula Art Journal, La Quadra, the Nervous Breakdown, Bombay Gin and others, and his guitar/vocal/ trombone work and lyrics are featured on Cheap Disaster (’92), Stark Aloe Vera (’95), and Lovely Children (2011).
He’s lived and taught in Katmandu Nepal, Istanbul Turkey, Boston Massachusetts, Boulder Colorado, Portland Oregon, San Francisco/San Leandro/Los Angeles California, and written in Banaras, Bodhgaya, Konya, Damascus, Petra, Jerusalem, Mexico City, San Cristobal de las Casas, Antigua, Buenos Aires, Seattle, New Orleans, Chicago, Denver, Santa Fe, Bar Harbor, Vancouver, Halifax, Atlanta, Asheville and Manhattan, among other locales.
"Dragonfly Messages”
By Lida Parent Harris
It isn't that it's life is a trickery, or being mocked by life and it's foolery.
It's playing the harp of an emerald dragonfly, to stoke your saddened tears.
She tells you to keep moving, Never fooling or wandering in place.
You have love to fulfill, and gifts to reveal, besides are the talent is near.
Don't get too comfortable when she buzzes by,
just stay on the road, the path is aligned
for all the joy your heart is ready to make, and the dragonfly you're seeing is here to take it's place.
Give you the nod to move on,
and a jingle of the bell how you're doing it so well.
Lida was born in Inglewood, Ca., and raised in Chatsworth, Ca. She spent her childhood enjoying a good book, drawing, and writing her own stories. Always a quiet student, Lida thrived in the world of Literature and Art.
At age 17, Lida began Journaling, and writing her first drafts of poetry. She graduated from El Camino Real High School, and went on to care for adults and children with disabilities. Lida continued her love of writing poetry well into her twenties. She began submitting to newspapers, and collections of work.
Her writing career began in 2001when she began attending Open-mic events in the San Fernando Valley. She met wonderful friends in a coffeehouse, and soon her life and world opened. Lida attended Community Literature Initiative instructed by Hiram Sims. It was a writing course at USC which gave her new roots.
Her first book of poetry was published in 2015, by World Stage Press. She enjoyed performing in new venues, and creating her own shows called Lyrical Flames, in 2014. Since then, Lida has performed her poetry in Las Vegas, Chicago, Santa Monica, Long Beach, North Holland, ArtShare LA, Leimert Park, Grand Park, and The Los Angeles Times Book Festival.
Lida is currently a mentor and dedicates her time to teach poetry for adults for The Los Angeles County Department of Mental Health. She is also taking Drumming and writes song lyrics for new realms of creativity.
danza mexica
by nadia cristina
i learned there was water there
because i spilled it
learned there was fire there
by getting burned
tonguing the wound
the black nothingness
until it is filled
is it possible to spin
fast enough to fly?
away from pain
away from plunder
to a blue river
where my ancestors
have always been
black crow hair in sunlight
lifting woven baskets
speaking to fish
in their own tongues
my wish for flight
is a prayer for transcendence
to know my cultures
as if they were passed to
me
heart to heart
rather than running
backwards across
time
an olympian
a detective to my own
life
breadcrumbs + clues
+ scraps
on my knees
everything becomes a
prayer
for what was taken to be
returned
land
back
culture
back
can i know what it’s like
to have
in the first
place?
know it as simple
inheritance
like the pit of a
stone fruit
that births
a new flower
a new fruit
again + again
the sound of ayoyotes
seeds of vibration
for new generations
conch-shelled
cosmos
unfurling
nadia cristina martinez ismail is a poet across media. Their work can be found online at angelbabe.me
Imagine
By Anna C. Broome
And when one of you falls
The lowest within each of you falls
And in your heart
That day does not meet your needs
All may see the flowers
But no one will be free
For as one is mourning
The divine is dead between the greatest of people
Wastefulness cannot be justified
As submissiveness shown
And as a grave is dug
Many hands dig a million miles down
Claim your rights
State your claims
Fight your battles
Reject vexation
For the world always has been as it is
Due to the sameness of living
Lean far, be grown,
See the points of action
Store your refugee outside your pocket
Don’t use me as your excuse.
Anna Broome is a Los Angeles published poet and producer of the monthly free-to-the public performance art show, The Anna Broome Room for the passed ten years and the Solo Concert Series, The Broome Closet. She earned two bachelor’s degrees: Creative Writing, Poetry and English Literature and Language with an emphasis on British and American Romantic Poetry from the University of North Carolina at Wilmington where studied under Pulitzer Prize for Poetry nominee, Michael White. Her first book of poetry, Orthodox Bats was published in 2019. Her second book, Sex Ed: A Prerequisite at Columbine was published this year by Four Feathers Press. Her first novel, A Full Sun is due out in 2025. And first collection of novellas the following year.
Laughing and Crying
By ChampionElCid
I'm laughing at the state of the world today,
I'm laughing at the leaders and everything they say
I'm laughing cause they're stupid, their speech is so absurd
I'm laughing when I hear them talk, I laugh at every word
I'm crying at the state of the world today
I'm crying because people seem to have lost their way
I'm crying cause they spew hate, at people they don't know
I'm crying cause they help to bring, about our state of woe
I'm laughing at the politicians, whenever they tell a lie
I'm laughing as they seem to think, it's something we will buy
I'm laughing at the idea, that what they think is true
I'm laughing because honestly, it's really nothing new
I'm crying when I hear someone say that they believe them
I'm crying cause I know that means we really are that dumb
I'm crying cause there are so many, who think just like they do
I'm crying cause not long ago, they tried to stage a coup
I'm laughing at people, who believe the word of god
I'm laughing cause they don't at all, seem to find that odd
I'm laughing when they live by rules, that really makes no sense
I'm laughing cause I can't believe, they really are that dense
I'm crying when those same people, use their beliefs to rule
I'm crying cause they think it gives them the right to be cruel
I'm crying cause there are so many, who believe this lie
I'm crying cause they want to see, so many people die
I'm laughing at the theories, that some people believe
I'm laughing at how easily, they are to deceive
I'm laughing cause it's so absurd and obviously not true
I'm laughing cause I can't believe, they have that point of view
I'm crying when politicians say that those beliefs are fact
I'm crying when they say that this is why we must react
I'm crying when they make new laws, based upon this lie
I'm crying when these new laws, mean democracy might die
If I'm being truly honest, I cry more than I laugh
And I think I do it mostly, on the world's behalf….
"ChampionElCid lives in Los Angeles, he currently works four different jobs so he doesn't often have the time he'd like to write. When he was young he read Don Quixote for the first time and that book left an impression on him. He later learned of a real-life Spanish Knight named "El Cid" who embodied many of the ideals that Don Quixote strived for. Thus he decided to take that name when creating a profile on the internet and that name has stuck. You can see more of his poems and thoughts on things on his Deviantart profile. Thank you for this opportunity, I hope I continue to impress you…"
To Pee or Not to Pee
by
Peter Yates
Lenny Bruce divided mankind into two groups — those who piss in the sink, and those who don’t. He said this to amuse, but when Stone and a duo partner were enduring rigors of the road, sharing cheap rooms to keep costs down, and trying to keep off each other's nerves, it took on deeper implications. Nobody, not even the most likeable person, is rational about all things, least of all in matters of personal hygiene, which even in our modern age can be dictated by superstition. This much Stone knew. He had to keep idiosyncrasies in mind if difficulties were to be avoided. And his best intentions would be tested.
One night, early in the trip, with jet lag upon him, he tossed one last time in his bedsheets and realized that unless he responded to the tickling, teasing signals emanating from his bladder, he’d never sleep again. Straining his eyes in the dark, he looked over at his roommate's bed. The guy was sleeping like a baby, relishing each unconscious moment. Stone contemplated the door. Beyond, across a stone floor, through two more sets of doors, up a dark flight of uneven stairs, was the toilet. He glanced around the room. Six feet away, at the foot of the roommate's bed, was the sink.
Deliberately, responsibly, he considered the step-by-step process required for a trip to the john – the pulling on of pants, so as not to frighten other occupants of the hotel, the tiptoeing across the cold floor, the attempting to deal silently with the double doors, each warped in its own way, each requiring its own abracadabra before groaning open. To handle the doors, he might have to turn on the light. With this thought, he paused. He'd hate to risk waking anyone. He decided to ignore his need. Pulling a pillow over his head, he rolled over with renewed determination. His bladder, pressed against the mattress, ballooned with pain.
The sink at the foot of his roommate's bed was only a few feet away. The roommate breathed deeply and evenly. Seriously, Stone thought, he really shouldn't disturb him — With this jet-lag, the fellow would never approach that state of oblivion again. Tomorrow would be hell for him — and for me, having to deal with him. Stone studied the sleeping form. Does he, or doesn't he? Lenny, give some guidance here. If he caught me in the act, so what? How prudish could he be? His useless wondering was interrupted by another poke from below decks. He glanced at the sink, so near, so easy, so reasonable. The bladder egged him on.
But, he hesitated. You never know about people — you just can't tell what might set them off. Damn them — the idiots confuse the proximity of tap and drain with a similarity of function! But after more thought, he admitted that, technically, they were right — there was a relationship between what goes down and what comes out. In his mind he constructed the mechanism. Waste water, upon entering the drain, joins waters and effluvia from drains throughout the hotel, perhaps even from the toilet upstairs. These, in turn, join products from other drains. Teaming up in sewers under the street, they race underground to creeks, rivers, bays and treatment plants. In a great wave, they arrive at the ocean. There, after some time during which they are swallowed and excreted by any number of fishes, they are evaporated into clouds, blown about, and sent down again as rain over some chance country — into rivulets, streams, creeks, rivers, into pools, lakes, reservoirs, into aqueducts, tanks, pipes, and faucets, and ultimately, perhaps, even into this very same hotel-room sink.
He realized the ridiculousness of this I'm-a-Little-Raindrop story. The evaporative turnover time of the world's oceans is, after all, two million years. With all the thought of running water, now he really had to go. Jesus! — if he or any of his righteous ilk were to take a glass of water from the tap, how would they know what other functions their quenching beverage might previously have served? The local reservoir is a giant cesspool! The connection is there. Even so, idiot that the guy was, Stone didn't want to trouble him with any groaning doors or noisy flushing from upstairs. Listening enviously to steady breathing, he decided, out of considerateness, to go for the sink.
Quietly, he rose. He headed toward the beautiful porcelain fixture. Treading softly, he approached the end of his bed. His bladder squirmed in anticipation, celebrating the excitement of the moment — the intoxication of imminent taboo-violation. It gloated as he stifled a giggle. He fought his fear of stumbling in the dark and filling the room with noise. In the half-light from the window, the sink gleamed invitingly. Finally, perfectly, at the point of bursting, he reached it, without a sound.
Soon things were going well. He strained to hold back the eager stream as it jetted at the target of the drain. Failing at this, he tried to mute it by angling it against the slick vertical side of the bowl. Not a whisper from the bed behind him. Good job, he thought. But congratulations were premature. He'd hardly got going, had only begun to grin with relief, when a chortling sound, soft at first, then louder, emerged from the drain. Behind him, bedsheets rustled, followed by a loud sigh. He considered aborting in midstream, but abandoned the painful notion. From within the wall, pipes began to gurgle. The roommate stirred again. In vain Stone tried to choke the flow. The drain laughed louder, seeming to enjoy his predicament. Panicked, he reached for a cup on the sink-stand, grabbed at the faucet handle, and flooded the sink with water to mask the swelling chorus of the plumbing. My back is to the bed. I'm only slightly on tiptoe. He'll think I'm getting a drink. Making explanatory gestures with his back, he lowered the cup into the basin, taking care in the darkness to try to choose the correct stream. The cup grew heavy in his hand. It was impossible to avoid the impression that he was at the doctor's office, filling a sample. Is it my imagination, or does it feel warm? He raised it to his lips, making more I'm-only-having-a-drink motions. Fighting back a moment of doubt, he tipped the cup and poured the contents down. The roommate coughed and turned on the light. In the mirror above the sink, Stone saw himself drinking calmly. The liquid felt good as it streamed down his throat — he had been thirsty, after all. He swallowed eagerly and was struck by the absurdity of his simultaneous needs to take in and to expel. The fluid poured down his throat and seemingly straight out into the sink below, in a continuous stream. He was a human tube. In a flash, he rethought the connection between faucet and drain — right now, the connection was him, a weird bypass in the raindrop's journey. The roommate fumbled with the clock bedside his bed. The light went out. With a grunt, the roommate turned over. The last drop from the cup trickled down Stone's throat. Below, after a slight delay, his output eerily came to a halt. He replaced the cup on the sink-stand and settled back on his heels, making sounds of slaked satisfaction. He allowed the tap to run a little extra, shut it off, and began groping his way back to bed. His eyes were newly dark-adapting, unable to see a thing. He slammed his toe into something, swearing automatically at the stab of pain. The roommate grunted again. Lying back in bedsheets, Stone wondered if the poor guy would be able to get back to sleep. At least, he reflected, he hadn’t had to listen to the double doors. He meditated for a while on the thought of what a considerate traveling-partner the fellow was fortunate to have. With a last sneer at his chastened bladder, he dozed off.
Later, drifting out of a fitful sleep, he became aware of a sound like laughter in the room – first a chortle, and then, louder, a gurgle. In the half-light from the window, he made out the cause. It was only the roommate, standing at the sink, drinking a glass of water. Who would have known? he asked himself, as he reached to turn on the light.
©2023
pyates@ucla,edu
Peter Yates In venues ranging from Lincoln Center and Italian State Radio to the art clubs of Salzburg and the wilds of Los Angeles, Peter Yates has produced over a thousand events as a composer, guitarist, writer and multimedia artist. His interest in things not done has led to a puppet opera about the Watts Towers, a DVD ghost-town opera, and several books of satire and philosophy. His activated teaching includes years on the music faculties of UCLA and Cal Poly Pomona.
The Anomaly
By Ed Burgess
7/30/24
Intelligent Artificial
A stain on a white shirt
An anomaly
Not standard
Not perigee
but anomaly
perihelion around the sun
We orbit each other
And when we are close
the angle is an anomaly
we deviate and rotate
Normal and expected
Intelligent Artificial
Not the boss of me
Here at the apogee
As far from you
And the Sun
As I can be
A black whole of creativity
The anomaly
Ed Burgess is an artist, poet and good guy. He has lived and worked in Los Angeles for over twenty years. Follow him on Instagram @pasteywhyte
Poem
By Kassi Crews
Jumping jacks you’re now a new size pack
Jack fruit is from the fig tree family
With ancient mystical secrets helping our bones, blood, proteins, iron and eyes
More for you to see my darling as you grow strong and independent ready to meet the world.
As you slip out of momma’s womb the world awaits your arrival
You are the magic this world needs for our survival
With all wisdom and ancient secrets rolled into you now… your soul is ready to shepherd in our revival for our tribal
Grateful for your arrival
Kassi Crews is an entertainment industry veteran and a consummate storyteller. Her early studio career began at Cannon Films, famous for action titles like Jean-Claude Van Damme’s “Bloodsport,” Chuck Norris’ “Delta Force”, and Sylvester Stallone’s “Cobra.” Crews became an industry leader in Hollywood post-production as the Vice President of Digital Jungle where she oversaw the day-to-day operations and served as producer on an endless list of film and television projects. Most recently, Crews lead multiple post-production teams at Fox and Walt Disney Television, overseeing the workflows of all television for FX Networks including "The Americans," “Fargo," and “Pose."
Crews has produced a variety of critically acclaimed independent features, “Broken Memories,” “God’s Ears,” and “A Better Place,” as well as directed live shows for the theater. She is a member of ATAS, NAB, NAPTE, PROMAX, NATPE, and SAG; holds a Master of Arts from CSU Fullerton and a Bachelor of Arts with Honors from UC Santa Cruz.
Architect Creator
By RG Carrillo
Architect creator
Out of the dark
Into beauty
Light of consciousness
Soul mate searching
Twin flame identity
Remade my spirit
Fractured biological origins
Sobriety recovery healing
Absorbing maturing
Developing gratitude
Restoring innocence
Pacing my journey
Release me from
Biased judgment
Breathe in freedom
The scales
Of justice
No longer blind
Elitist greed
Red in blood
Blue in depression
White no longer pure
We move unsure
In democracy
Music and poetry
Keep me sane
Politics in America
A quicksand
For the common man
Sinking the middle class
The justice scales
Swinging wildly
In the wind of division
Mid-life national crisis
Right leaning narcissism
Left leaning
Voice of reason
When will liberty
Balance her scales
Find her middle ground
A fork in the road
Heal hope highway
Unite the people
Do not divide
The American people
Bring back
Common sense
Disagree with respect
Do not turn
Republicans and Democrats
Into the Hatfields and McCoys
One nation under God
We are not clans
Fighting with clubs
Throwing rocks
On the other side
Plenty of fault
To go around
Wise words
I hang onto
So simple
Rodney King
Turning the other cheek
After being beaten
By the police
“Can’t we all get along?”
Such grace and dignity
Taking the high road
Choosing not
To lower his
Human spirit
Rising from the ashes
Take heed
We are a great people
We do not need
To be made great again
Stand firm
On our constitutional
Principles
I see light
At the end
Of the tunnel
My glass
Is still half full
Love to all
Spread kindness
Plant the good seed
Ronald G. Carrillo is a native Lincoln Hts Angelino, living in Eagle Rock and a retired LAUSD educator and influencer. He writes of his passion and rebirth into the golden age of living. He has been writing since high school and was initially influenced from the songwriters, Keith Reid, Joni Mitchell, Laura Nyro, Neil Young.
Two ladies
By Christine Bullard
One arrived by train from France
The other by plane from Croatia
They met at their lodging destination
Both were filled with ecstatic enthusiasm
To explore the passionate city of Barcelona, Spain
Together, these two women came to
seek adventure in a foreign country
The weather is hot. The pool is too cold.
The sea is tempting. The wind is tempestuous.
Each day they walk for miles absorbing the essence of the city
The art, cuisine, wine, people, churches, taxis, and flamenco dance
They explore the architecture and design of Gaudi's works of art
Magnificent intricate buildings such as Casa Batilò to Basilica de la Sagrada Familia
In the end, Guadi was hit by a tram and died alone. Nobody knew who he was dressed in rags
I wonder as he was dying in his hospital bed if his Catalan pride was true to the end
The sun shined, birds chirped, and the sounds of tourists overloading the city remained exuberant
As does the friendship between these two ladies
Friends for over 20 years, children have grown, lovers have come and gone, and their friendship continues to grow luxuriant
There is safety, respect, and love in this friendship. It is cherished. It is recognized. It is not taken for granted.
Christine Bullard is a native Angeleno from Highland Park. She is an architectural photographer, as seen in Dwell and other publications. She's a Los Angeles licensed realtor, and co-founder of The Garden Co-op Nursery School. In 2023 Christine became an Italian citizen and is living a digital nomadic life traveling throughout Europe.
Cultural Appropriation
By Don Kingfisher Campbell
Oh oh, CaLoki, you suggested
making the November theme for
Four Feathers Press online edition
Dia De Los Muertos, isn't that...?
Not as bad as performing songs
from another culture like Paul
Simon did on Graceland, and,
now that I think about it, Me And
Julio Down By The Schoolyard.
Don't even mention Genesis!
Yikes, am I not allowed to order
my beloved bean and cheese
burrito anymore? And I just
bought dumplings at the 168
Market on Valley Boulevard
and nobody stopped me
except to say Shi Sheh.
You know why I got them,
my wife is from Dalian, then
adulted in Sanya. Is getting
married the ultimate C.A.?
Wait a minute, I'm writing
this poem in English. Talk
about colloquial acquisition....
Don Kingfisher Campbell, MFA Antioch University L.A., taught at USC and Occidental College Upward Bound, board member California Poets In The Schools, publisher Four Feathers Press, host of the Saturday Afternoon Poetry reading and workshop series in Pasadena, California. For awards, features, and publication credits, please go to: http://dkc1031.blogspot.com
The Litanies of Satan
By Charles Baudelaire
Translated from the French by Alex S. Johnson
Oh you who are the most wise and handsome of all angels
Divinity betrayed by fate and deprived of just praise
O Satan, take pity on my long despair!
Oh Prince of Exiles, one who has been wronged
and yet every time you're vanquished, you return much stronger
O Satan, take pity on my long despair!
You who knows all, great king of the underground
Intimate warrior, knower of human anguish
O Satan, take pity on my long despair!
Who treats the leprous and despised equally
and teaches them by love the taste for Paradise
O Satan, take pity on my long despair!
O you who with your strong and hearty Mistress,
Death, engenders that charming madness, hope
O Satan, take pity on my long despair!
O you who knows where in the envious earth
a jealous God has hidden his precious gems
O Satan, take pity on my long despair!
You whose clear eye has intimate knowledge
of the deep arsenal which contains the heavy metal tribes
O Satan, take pity on my long despair!
You whose large hand hides the precipice
from the sleepwalker walking the ledge
O Satan, take pity on my long despair!
You who magically softens the ancient bones
of drunkards trampled by horses on the cobblestones
O Satan, take pity on my long despair!
You who, to calm the fears of a fretful lot
mixes saltpeter and sulphur into a drowsy medicine
O Satan, take pity on my long despair!
You who with subtle complicity places his mark on the forehead of Croesus
O Satan, take pity on my long despair!
You who places the cult of wounds and pain
in the eyes and hearts of little girls
O Satan, take pity on my long despair!
Magical wand of exiles, lamp of inventors,
confessor of conspirators and those who hang
O Satan, take pity on my long despair!
Adoptive father of those with black bile
chased and banished by God from terrestrial paradise
O Satan, take pity on my long despair!
Glory and praise to Satan, haughty and proud on
your celestial throne
where you reign, and in the profound depths
of Hell, where, vanquished, you dream in silence
Place my heart one day beneath the tree of Science
next to the place you rest, where above your head,
like a new cathedral, your unholy branches spread.
Alex S. Johnson is a retired English instructor, editor, journalist, artist, writing coach and publisher. His poetry and prose collections include Bureau of Dreams and The Death Jazz. His work has been praised by the likes of Ellyn Maybe, Dominique Lowell and the late Lemmy Kilmister of the band Motorhead. Cyberpunk inventor and the co-author of the screenplay to the 1994 cult classic film The Crow, John Shirley, said of his dark poetry collection The Flowers of Doom, "Alex S. Johnson is the Baudelaire of our time, the poet of the underground." Johnson's upcoming books include The Junk Merchants: A Literary Tribute to William S. Burroughs, with an Introduction by iconic horror author Poppy Z. Brite, We Are Gregor: A Disability Rights Anthology and The Doom Hippies III: Cancelled and Deleted Tales. He lives in Carmichael, California with his family.
tRUMp cocoNUT
By Chuka Susan Chesney
Watching from my alabaster
plastic-covered sofa,
I hear on TV:
Trump’s been convicted
of white collar crime.
Time for a drink!
But when I imbibe,
I’d better not drive,
I call my best friend
but she can’t hurry over.
Her dog is dying,
he’s almost not alive.
I text my son,
Let’s have a drink!
He answers, Mom, I get it,
but don’t overdo it!
That’s easy to say
when he’s never been alone.
I’m looking for someone
to have a drink with,
but there’s no one.
Guess it’ll just be me
and those thirty-four felonies
3 shots of Malibu Caribbean Rum,
a splash of cocoNUT,
surfboards my tongue.
I slurp it straight—
stay up too late:
One shot for Stormy’s testimony,
one shot for Trump to go to jail
and one for Melania to divorce him.
I won’t get a hangover—
I hang glide with rum
Chuka Susan Chesney is an artist and a poet. Her poems, art, and/or flash fiction have been published in Peacock Journal, Inklette, New England Review, Compose, Picaroon, and Lummox. Chesney’s paintings and collages have been in exhibitions and galleries across the United States.
Thanks for joining us! We will continue to host writers and poets of all genres.
Please submit your written work to: lindakayepoetry@icloud.com and include a short bio
Linda Kaye writes poetry, curates poetry, produces films, produces spoken word and art events and produces a poetry column POETS PLACE for the online publication LAARTNEWS throughout the Los Angeles area.
Linda’s poetry events have included several summer poetry salons, and shows at the Align Gallery, 50/50 Gallery, Gold Haus Gallery, Ave 50 Gallery and Rock Rose Gallery in Highland Park .The Manifesto Café in Hermon, Pilates and Arts studio in Echo Park, and Native Boutique, Zweet Café in Eagle Rock, The Makery in Little Tokyo. And at the Neutra Institute Gallery and Museum in Silverlake. Her first short documentary film “BORDER POETS” was a socially and politically inspired event with poets and musicians filmed at the border wall near Tecate, Mexico on the Jacumba, Ca. side of the US. The film co-produced by MUD productions is available for viewing on her website and on youtube. https://youtu.be/5Te4-dlhxco
Her rap music video project in collaboration with Mary Cheung, “ERACE-ISM” can also be seen on youtube. https://youtu.be/NfrbveNUBgg This video was accepted into the Ontario Museum of History & Art show “We the People” Yesterday, Today, and Tomorrow. February 2- April 16, 2023. So honored!!
And…February 19, 2022, she debuted her staged poetry production of “20 Years Left” at the historic Ebell Club in Highland Park! Two sold out shows with 2 standing ovations!! Check out the links to reviews and the video!
https://thehollywoodtimes.today/20-years-left-new-show-performance-poetry-music/
20 Years Left youtube live stream 2/19/22
Linda Kaye is a native Angeleno who grew up in the San Fernando Valley. She claims to be both a first-generation Valley Girl, and The Original Hipster. Educated at Antioch University and Cal State Long Beach in psychology, and social work. Linda, now retired from medical social work, was working for her last seven years of employment as a psychotherapist and licensed clinical supervisor for an out patient mental health clinic. She was a licensed medical social worker for 30+ years working on the front line of healthcare, a private consultant for Physicians Aid Association and for skilled nursing facilities throughout California and Arizona. She was also an adjunct assistant professor at the USC Suzanne Dworak-Peck School of Social Work. Oh yeah.
Twitter/Instagram: lindakayepoetry
http://voyagela.com/interview/daily-inspiration-meet-linda-kaye/https://
shoutoutla.com/meet-linda-kaye-poet-poetry-and-theatrical-producer-filmmaker/
20 YEARS LEFT DOCUMENTARY!!!!
Photo credit: Brad Stubbs